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The songs here are lovely, concise gems, warmly glowing, gently sparkling, evocative and moving.","brand":"In Sheeps Clothing HiFi","offers":[{"title":"Default Title","offer_id":44313999605914,"sku":"","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a2212265299_10.jpg?v=1704924616"},{"product_id":"サイケアウツ-逆襲のサイケアウツ-ベスト-カッツ-1995-2000-cycheouts-2lp","title":"Cycheouts - Cycheouts' Counterattack: Best Cuts 1995-2000","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDISCOUNT\u003c\/em\u003e - DAMAGED JACKET (SLIGHT BENDS \/ CRUSHED CORNERS)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis 2-LP set from EM Records chronicles the legacy of underground Japanese techno legends Cycheouts - pronounced ‘psyche outs’ in English. Originally formed in 1994, the group quickly became a centerpiece of Osaka's underground electronic scene. Led by main producer Akira Ohashi, Cycheouts melded influences from jungle, drum'n'bass, digital hardcore, and experimental noise music, all of which are explored in this compilation of tracks painstakingly selected by two true Cycheouts experts. Cycheouts' music and live performances went on to inspire a number of successful Japanese dance music acts, and can be seen as an origin point for the \"nerdcore techno\" movement of the early 2000s. This archive of the early work of Cycheouts provides an essential look at the birth and development of hardcore jungle in Japan, including multiple tracks featuring the full Cycheouts lineup with original vocals and multiple MCs. Most of these tracks are available on LP for the first time, and have been newly remastered for the format; the set also includes extensive liner notes in both English and Japanese.\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"Default Title","offer_id":44372358299802,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a2152391010_10.jpg?v=1748643666"},{"product_id":"kojun-the-water-garden-水中庭園-lp","title":"Kojun - The Water Garden = 水中庭園","description":"\u003cp\u003eA buoyant masterpiece from the early 90s, “The Water Garden” was created by Okinawa-born Kojun Kokuba under the inspiring image of a “happy Asia” thriving in the sea-based trading networks of the medieval to pre-modern era, with the concept that various types of music, as well as physical goods, were distributed and dispersed across the seas connecting various parts of east and southeast Asia. Fittingly, the music here has definite and distinctive Ryukyu island roots, but is informed by a number of other Asian musical traditions, layering phrases derived from numerous Asian scales, often altered by Kojun, eschewing typical Western chordal harmonic movement. Kojun uses the synths and multitrack recorders of the early 90s to, in his words, “pile up lines” in sweet and not at all overbearing melodic accumulations, with a desire to distribute and disperse a new energy from Okinawa to the rest of Asia and the world. Despite a pleasing and compelling rhythmic lilt and the use of synths and drum machines, this music was not created as a product for the dance floor; Kojun envisioned a type of electronic salon music, a “light music” made with contemporary technology. This is the first LP edition of the self-produced original 1993 CD release and includes bonus tracks and liner notes in English and Japanese.\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"Default Title","offer_id":44372394442906,"sku":null,"price":26.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a0160246786_10.jpg?v=1748644142"},{"product_id":"daniel-aged-bass-improvisations-pt-1-lp","title":"Daniel Aged - Bass Improvisations Pt. 1","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cstrong\u003eDeeply spiritual bass ambient by inc. no world’s Daniel Aged. Originally released digital only in 2020, our limited vinyl release comes with an unreleased track (our personal favorite) !\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\r\nDaniel Aged’s Bass Improvisations, Pt. 1 is a recording to luxuriate in, an immersive set of four pieces that the accomplished musician laid to tape as a creative assignment. Best known for his session and production work with artists including Frank Ocean, FKA Twigs, Yves Tumor, Zsela, and Kelela, the Los Angeles-based Aged committed to spending focused time crafting a series of delicate, percussion-less pieces for his beloved instrument of choice, the bass.\r\n\r\n“The bass is the instrument I grew up playing and I have a deep connection with it. I’m always exploring that instrument and its role within music,” he says. “I had a thirst to see what I could make in a week. So I made it in a week.”\r\n\r\nAs textured as they are inventive, three of the extended works originally came out in 2020 as a digital release on his Chiron Sound label. Four years later, Aged has teamed with In Sheep’s Clothing to issue a limited edition vinyl version of Bass Improvisations, Pt. 1. The release includes a new, previously unreleased, track, “1122.”\r\n\r\nAlong with his brother Andrew, Daniel formed Teen Inc. in the early ‘10s and, after shortening their name to inc., signed to 4AD to release their influential debut album, No World, in 2013. Featuring a young Sam Gendel, the album helped define the sound of ‘10s LA, and led them to work with Kelela on her 2015 release for Warp, Hallucinogen. Daniel released his self-titled debut solo album in 2018, followed three years later by his sublime second album, You Are Protected By Silent Love. Like a few tracks on Bass Improvisations, Pt. 1, You Are Protected … features Daniel’s sublime pedal steel guitar playing.\r\n\r\n“I was just playing with melody, textures, and patterns, and seeing if I could express something in a simple format,” Aged says of the new vinyl release, which he created in what he calls his “little apartment in Echo Park.”\r\n\r\n“In all things, I like to feel grounded in some way,” Aged adds of his intentions for Bass Improvisations, Pt. 1. “I'm always drawn to something grounding.”","brand":"In Sheeps Clothing HiFi","offers":[{"title":"Default Title","offer_id":44484705190042,"sku":"DA-BIP1-L12B","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/FrontOnly_6.jpg?v=1709231516"},{"product_id":"nora-guthrie-emilys-illness-7","title":"Nora Guthrie - Emily's Illness","description":"\u003cstrong\u003eShips late November\u003c\/strong\u003e\r\n\r\n\u003cem\u003e\u003cstrong\u003eGorgeous 7\" featuring one of the most unforgettable tracks on Julien Dechery and DJ Sundae's Sky Girl compilation. Don't miss the A-side which is another haunting psychedelic folk beauty. Comes in a 3-sided insert featuring lyrics and photos of Nora!\u003c\/strong\u003e\u003c\/em\u003e\r\n\r\nNora is back! This is a brand-new 2025 EM Records re-pressing of Nora Guthrie's ultra-rare \"Emily's Illness”, a lost gem of songcraft originally released in 1967, in the same 7-inch vinyl format (b\/w \"Home Before Dark\") as the original. Featuring the radiant vocals of the then-17-year-old daughter of Woody Guthrie, \"Emily's Illness\" was written by Eric Eisner (The Strangers) and impeccably arranged by Artie Schroeck. A romantic amalgam of psychedelia, pop, and acid-folk, informed by the harmonic and rhythmic subtleties of João Gilberto and jazz. Both songs here are wistfully melodic gems, framed by lovely orchestration. ","brand":"EM Records","offers":[{"title":"Default Title","offer_id":44554581835930,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/EM1083_Nora_Guthrie_cover_art_RGB_2500.png?v=1759907459"},{"product_id":"alejandro-cohen-chamber-of-tears-lp","title":"Alejandro Cohen - Chamber of Tears","description":"\u003cp\u003e‘Chamber of Tears’ marks the poignant debut offering from the Los Angeleno (by way of Buenos Aires) composer Alejandro Cohen under his own name. Here, the chameleon-like boatswain of arts and culture sheds the detuned mutant -funk of his former ensemble Pharaohs (100% Silk; ESP Institute), instead opting for a solo LP of high-minded melancholy, platonic playfulness, and sardonic sweetness. Presented across thirteen songs, ‘Chamber of Tears’ allows Cohen to act as some kind of sonic-farmer tilling and toiling the Earth, gently excavating deep-rooted melodies with an air of open-ended rusticism not far removed from the likes of Penguin Cafe Orchestra, or even Gastr del Sol. Gentle vignettes of guitars plucked and strummed often transcend into lush canopies of texture and unhurried contemplation. It is this dichotomy that makes ‘Chamber of Tears’ grandiose in its limitless exploration, yet tender in its sincere intimacy.\u003c\/p\u003e","brand":"In Sheeps Clothing HiFi","offers":[{"title":"Default Title","offer_id":45131082629274,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a1739936778_10.jpg?v=1721840739"},{"product_id":"various-forever-gamblin-on-you-lp","title":"Various - Forever Gamblin' On You","description":"A full tank of gas, the gentle glow from the radio dial, \u0026amp; stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, \u0026amp; dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities \u0026amp; rarities of the 70s \u0026amp; 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat. \r\n\r\nFeaturing “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk rocker “Girl Of My Dreams”. \r\n\r\nForever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.\r\n\r\n\u003cstrong\u003eAvailable for Distribution: orders@insheepsclothinghifi.com\u003c\/strong\u003e","brand":"Forager Records","offers":[{"title":"Default Title","offer_id":45210961576090,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a2817665111_10.jpg?v=1724964718"},{"product_id":"edward-sharpe-and-the-magnetic-zeros-live-in-no-particular-order-2009-2014-2lp","title":"Edward Sharpe And The Magnetic Zeros – Live In No Particular Order: 2009-2014 2LP","description":"\u003cp\u003eA1        Better Days\u003cbr\u003eA2        40 Day Dream\u003cbr\u003eA3        If I Were Free\u003cbr\u003eA4        Janglin\u003cbr\u003eB1        Up From Below\u003cbr\u003eB2        Brother\u003cbr\u003eB3        Please\u003cbr\u003eB4        Mother\u003cbr\u003eC1        Home\u003cbr\u003eC2        Mayla\u003cbr\u003eC3        They Were Wrong\u003cbr\u003eD1        This Life\u003cbr\u003eD2        Black Water\u003cbr\u003eD3        I Don’t Wanna Pray\u003cbr\u003eE1        Truth\u003cbr\u003eE2        If I Were Free\u003cbr\u003eE3        Fog On The Tyne\u003cbr\u003eF1        Bad Bad Love\u003cbr\u003eF2        Life Is Hard\u003cbr\u003eF3        All Wash Out\u003cbr\u003eF4        All Together\u003c\/p\u003e","brand":"Community Music","offers":[{"title":"Default Title","offer_id":45212623831194,"sku":null,"price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/R-7620759-1445307310-2280.jpg?v=1725057657"},{"product_id":"scott-gilmore-volume-01-lp","title":"Scott Gilmore - Volume 01","description":"\u003cp class=\"p1\"\u003e\u003cb\u003eScott Gilmore’s \u003ci\u003eVolume 01\u003c\/i\u003e, an Analog Synth Gem, Makes Its Vinyl Debut\u003c\/b\u003e\u003c\/p\u003e\r\n\u003cp class=\"p1\"\u003e\u003ci\u003eRecorded on a vintage Tascam 388, the LP version of Gilmore’s alluring, easy-going\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003einstrumental electronic record arrives in the physical world via In Sheep’s Clothing Hi-Fi Records.\u003c\/i\u003e\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003eLos Angeles, CA — When the Los Angeles electronic musician and multi-instrumentalist Scott Gilmore recalls the creation of the songs on \u003ci\u003eVolume 01\u003c\/i\u003e, he describes specific moments of spontaneous inspiration. “I remember sitting at the tape deck, watching the leaves outside the window as they flittered in the sunlight—a moment of stillness that became intertwined with the melody I was recording,” Gilmore recalls, speaking of the track “Song For Cate.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003eThis sense of simplicity and presence is at the heart of \u003ci\u003eVolume 01\u003c\/i\u003e, which was recorded entirely on a Tascam 388 using a carefully curated selection of instruments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003e\u003ci\u003eVolume 01\u003c\/i\u003e, an intimate, instinctual album that mixes lo-fi digital rhythms, strummed guitar, and melodic synth layers, is a collection of songs that captures Gilmore’s magnetic fluidity and the spontaneity of his process. Initially released digitally and as a limited edition cassette, \u003ci\u003eVolume 01\u003c\/i\u003e is set to be issued on vinyl for the first time by In Sheep’s Clothing Hi-Fi.\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003eThe Tascam 388 is a classic mid-1980s analog machine that combines an 8-track reel-to-reel tape recorder with a built-in mixing console. \u003ci\u003eVolume 01\u003c\/i\u003e exudes the kind of hazy, nostalgic warmth that only such recorders can provide. For the nine-song album, Gilmore harnessed analog synths including the Arp Odyssey, Yamaha CS-01, Korg DW-8000, Hohner Pianet T, Roland TR 606, and Roland SH 101, as well as bamboo alto saxophone, clarinet, electric guitar, and electric bass.\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003eThe album is awash in brief, propellant pieces. At just over four minutes, the relatively epic “Horizon Line” is driven by a three-note snare pattern, a two-note cymbal tap, with a humble bass-line serving as the rudder; Gilmore’s improvised keyboard runs move with an intuitive, conversational glee. The pensive \"Shade\" sounds like it could be a Penguin Cafe Orchestra demo. Closing track “D. Hareem” runs on a wobbly time signature but with an insistent, determined rhythm that belies genre descriptives. “I prefer to not know what I’m making as I compose,” Gilmore says. “It’s when I can’t clearly define what the music is that it’s then something that I want to put out into the world.”\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003eIn hindsight, \u003ci\u003eVolume 01\u003c\/i\u003e was a portent. After its 2016 cassette release, Gilmore connected with International Feel, the Balearic imprint run by Marc Barrot, to release the sublime Subtle Vertigo. In 2019, Gilmore’s music caught the attention of Marc Hollander, the experimental composer and founding member of Aksak Maboul, which led to a signing with the Belgian label Crammed Discs. That deal enabled the creation of Gilmore’s solo album \u003ci\u003eTwo Roomed Motel\u003c\/i\u003e and \u003ci\u003eDoctor Fluorescent\u003c\/i\u003e, a retro-futuristic, Vocoder-heavy 2020 collaboration with Eddie Ruscha V, a.k.a. Secret Circuit). Across these projects, Gilmore’s work has been mentioned in the same sentences as Stereolab, Arthur Russell, Woo, Air, R. Stevie Moore, and others, all of whom have combined synths and non-synths to memorable effect.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp class=\"p2\"\u003eWith the upcoming vinyl release, \u003ci\u003eVolume 01\u003c\/i\u003e will set into wax an enduring set of works, offering listeners the chance to experience analog artistry in its most authentic, tangible form. In Sheep’s Clothing Records is honored to bring Gilmore’s work to vinyl.\u003c\/p\u003e","brand":"In Sheeps Clothing HiFi","offers":[{"title":"Default Title","offer_id":45271061790874,"sku":"ISCHF-004","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/FRONTCOVER.jpg?v=1727716479"},{"product_id":"yknow-why-now","title":"Y'KNOW - Why Now","description":"\u003cp\u003eY’KNOW returns to Spiritual World with Why Now, an 8 track 12” that is so stacked with groove that you can physically feel the claps when you run your hand over the record.\u003c\/p\u003e\n\n\u003cp\u003eWhy Now lifts the fog established on the duo’s digital 2023 two-song debut, pushing their signature beat-forward minimalism into digital dancefloor soundscapes. Following in the tradition of dub albums, Why Now features four vocal cuts on the a-side backed with four reimagined and stripped back dub versions on the b-side.\u003c\/p\u003e\n\n\u003cp\u003eLyrically, Bally takes on the narrative of a detective in search of the perfect groove, even if it ultimately leads to their own fictional demise. Y’KNOW is clearly in pursuit of the perfect vibe, and while doing so exceeds the imagination of most traditional guitar-based bands with a mesmerizing mix of dub, post-punk and synth-pop.\u003c\/p\u003e","brand":"Spiritual World","offers":[{"title":"Default Title","offer_id":45366658138266,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a0747306791_10.jpg?v=1732317745"},{"product_id":"luluc-passerby-ten-year","title":"Luluc - Passerby (10th Anniversary Edition) LP","description":"","brand":"New Community","offers":[{"title":"Default Title","offer_id":45390244053146,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/ScreenShot2025-04-21at6.58.31PM.png?v=1745287141"},{"product_id":"mustapha-skandrani-istikhbars-and-improvisations-lp","title":"Mustapha Skandrani - Istikhbars and Improvisations","description":"\u003cp\u003e\u003cstrong\u003e2026 Repress\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"Istikhbars and Improvisations\", recorded in 1965 in Paris, is a solo piano album presenting a trans-Mediterranean crossover based on traditional Algerian vocal pieces known as Istikhbars. Playing these istikhbars (which have roots in the Islamic Arabo-Andalusian culture which flourished in Spain) on the piano, that quintessentially European instrument, Skandrani was greeted with derision by some purists. Skandrani's powerful musical vision, however, perceives the European element involved in Arabo-Andalusian musical culture, a world of exchange and co-existence, and his decision to play this music on the piano reminds us of this European influence.\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"Default Title","offer_id":45397101281434,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a0697779583_10_1.jpg?v=1734126085"},{"product_id":"maple-fyshh-you-are-leaving-my-mind-the-mariko-and-dokitto-station-era-lp","title":"Maple Fyshh - You Are Leaving My Mind: The \"Mariko\" and \"Dokitto Station!!\"","description":"\u003cp\u003eA collection of late ’80s\/early ’90s recordings of introspective Japanese dream pop self-produced and recorded by outsider artist Maple Fyshh in his home studio in Miyazaki, Kyushu (Japan’s southern island facing the Pacific). 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As on their previous albums, all with EM Records, the music is driven by the kalimabafon, Haro’s self-made tuned percussion instrument. The kalimbafon’s patterns weave through waves of reverb-drenched lap steel and guitar, as bass undertow and sans-cymbal percussion allow the music to flow inexorably forward, like a broad, timeless river. The compositions here have a feeling of being immersed in deep night, surrounded by life, away from the enclosed isolation of the urban environment. As with previous albums, the compositions are instrumental, the exception being the final song, a vocal version of the opening track, sung in a language invented by Haro.\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"Default Title","offer_id":45397111013530,"sku":null,"price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/a1130535838_10.jpg?v=1734126385"},{"product_id":"joel-shearer-listening-lp","title":"Joel Shearer - Listening","description":"\u003cp\u003eWith guitarist and ambient composer Joel Shearer’s new album, Listening, he took the path of repetition, subtle movement, and pure sound rather than conventional songwriting. What began as a disciplined experiment — limiting himself to just electric guitar — soon expanded. 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There are no choruses, no obvious climaxes — just sound evolving over time. “Instead of a traditional song structure with a verse, chorus, or B section, it’s one continuous movement that grows and dissolves,” Shearer explains. “It’s not about anticipating the next moment—it’s about sitting inside the sound, getting comfortable with patience.”\u003c\/p\u003e\n\n\u003cp\u003eA Topanga-based session musician, composer, and producer, Shearer’s previous solo albums, Morning Loops and Hours, explored the manipulation of only the electric guitar, using texture and repetition to push beyond conventions. Listening continues that journey, offering music that resists distraction and rewards deep attention. Shearer recorded Listening without a click track, working in long, freeform takes. His shimmering, clean guitar tones—often unrecognizable, processed through looping pedals and effects—became a foundation, with layers of sound building around it. “I love making the guitar sound like anything but a guitar,” he says. “I might play for just a minute, but once the sound enters the effects chain, it takes on a life of its own. The music keeps evolving, stretching time in ways I couldn’t predict.”\u003c\/p\u003e\n\n\u003cp\u003eThe opening piece, “Big Sur,” is an 11-minute meditation that drifts in slow, hypnotic waves, its layered guitar textures sparkling like light over water. The piece moves without urgency, subtly transforming as it pulls the listener deeper into its atmosphere. “Threshold” features a delicate piano melody that gradually unfurls, allowing its essence to fully settle before the next emerges. Subtle layers of ambient guitar weave around the piano, stretching and dissolving into the background, creating a sense of stillness and slow expansion.\u003c\/p\u003e \n\n\u003cp\u003eAt nearly 15-minutes, “The Clear Light of the Void” is a slow-burning study in sustain and resonance. Layers of guitar stretch and dissolve into an open, drifting soundscape, each note lingering and shifting like a breath held in suspension. 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Each recording is stylistically different—dream pop, guitar soli, fourth world, avant-electronic—but they are held together by a regional ethos of the “visionary.” This is music that sees through the mind’s eye (\"envisions\") to conjure new worlds.\r\n\r\nSome people say that California is where “the nuts stop rolling”—where those too eccentric to fit in elsewhere often find themselves. What was meant pejoratively is easily reclaimed as a celebration of the free-thinking and the freely-freaking. Until the turn of the millennium, all manner of seekers rolled westward\r\nuntil they hit the pacific. Stationed along this edge, music was a way to roll still further, imagining territories unencountered and wavelengths as yet unheard.\r\n\r\nLost Coast is a commemoration of the people who made these journeys and a resurrection of recordings they made little effort to broadcast. While some tracks were originally released with modest distribution, others were only shared among friends or never shared at all. Gathered from the personal collection of House Rules operator Zully Adler, all tracks were found on cassettes in flea markets, barn sales, rural thrift stores, and even stranger places—outside a gem and mineral shop, for example, and on the ranch of a retired mescaline dealer.\r\n\r\nRegardless of their obscurity, these recordings are eminently listenable. California, after all, is a place where the strange and the pleasurable are frequent bedfellows.","brand":"Goaty Tapes","offers":[{"title":"Default Title","offer_id":45702035046554,"sku":null,"price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/LostCoast-FrontCover_1_d2e86e0f-0b95-42b6-aa81-8c8e542c087e.jpg?v=1746812091"},{"product_id":"electric-satie-gymnopedie-99-lp","title":"Electric Satie – Gymnopédie '99","description":"\u003cp\u003e\u003cstrong\u003eIn Sheep’s Clothing is excited to announce our first archival release: Electric Satie, a one-off conceptual project by acclaimed Japanese electronic music producer Mitsuto Suzuki.\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eOriginally released on CD-only in 1998, Gymnopédie ’99 reimagines Erik Satie’s beloved piano compositions in electronic form ranging sonically from downtempo bossa-nova (featuring Brazilian percussionist Marco Bosco and vocalist Silvio Anastacio) to freestyle ambience and chillout room IDM, not far from the music featured on Music from Memory’s Virtual Dreams or Warp Record’s Artificial Intelligence.\u003c\/p\u003e\n\u003cp\u003eA deeply imaginative composer and arranger, Suzuki was inspired early on by Yellow Magic Orchestra to develop his own style of synthesizer music. 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Compositions like Gymnopédie, Sarabande, Son Binocle, and Musique D’ameublement (Furniture Music) are reimagined with electro-rhythms and inventive digital effects processing, while retaining the sweet melodic simplicity and otherworldly modal harmonies of Satie’s timeless piano works.\u003cbr\u003e\u003c\/p\u003e","brand":"In Sheeps Clothing HiFi","offers":[{"title":"Black","offer_id":45702221496474,"sku":null,"price":28.0,"currency_code":"USD","in_stock":false},{"title":"Clear Light Blue","offer_id":45702221529242,"sku":"IHS-ESGD-CBVL","price":28.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/satieFrontCover.jpg?v=1745964732"},{"product_id":"sab-crystallization-lp","title":"SAB - Crystallization","description":"A beautiful album re-emerges from realms of mystery! The long- awaited vinyl reissue of a Japanese neoclassical\/experimental\/new age\/electronic music classic, \u003cem\u003e\u003cstrong\u003eoriginally released in 1978\u003c\/strong\u003e\u003c\/em\u003e. ”Crystallization” is a work of unwavering perfection, whose sparkle has become even more brilliant over time, in the midst of the new age music revival that has emerged in recent years and the rediscovery of Japanese environmental music so-called Kankyō-ongaku. This was SAB's first and only solo album, recorded at his home and a studio in Osaka by a 19-year-old musical prodigy who, after the album's release, left Japan for the U.S. to follow the teachings of Bhagwan Shree Rajneesh and has never been heard from again. Two other musicians provide instrumental contributions, but the majority of the album was recorded and produced by SAB himself with multiple recordings \u0026amp; overdubs of various instruments, captured and crystallized on magnetic tape. The arrangements and instrumentation on this album show the influence of Brian Eno and the Obscure label of the time, but SAB's weave of electronics, field recordings and conventional instrumentation simultaneously avoids those influences and sits outside any direct electronic music lineage; it has achieved the status of a new classic for audiences in the 2020s. This reissue of the second release on the legendary Osaka label Vanity Records, run by the eccentric producer Yuzuru Agi, is a 24bit\/48kHz A\/D transfer from the original 1978 master tapes, high-quality cutting. 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The sun can shine anywhere, anywhen, so enjoy!\u003c\/p\u003e","brand":"EM Records","offers":[{"title":"Default Title","offer_id":45712187719834,"sku":null,"price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0471\/5036\/6874\/files\/EM1191TS2_cover_art_3500px.png?v=1746473349"},{"product_id":"7fo-music-for-himitsu-lp","title":"7Fo - Music For Himitsu","description":"\u003cstrong\u003eTri-Color Green\/White Vinyl\u003c\/strong\u003e\r\n\r\nOriginally created to accompany a 2014 exhibition by Osaka art collective Himitsu, Music For Himitsu has now been remastered and pressed to vinyl for the first time.\r\n\r\nConstructed using improvised guitar loops, field recordings and 7FO’s now signature ellipsoid effects and found sounds, the music was originally recorded over an old 90s pop mixtape picked up at an audio store in Nishinari Ward, Osaka. 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